All Henri De Toulouse-Lautrec Oil Paintings

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
 
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Henri De Toulouse-Lautrec the bed oil on canvas


the bed
the bed
Painting ID::  56353 		  mk247 1892,oil on cardboard,21x27 in,54x70.5 cm,musee d orsay,paris,france
  mk247 1892,oil on cardboard,21x27 in,54x70.5 cm,musee d orsay,paris,france

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Henri De Toulouse-Lautrec oil on canvas




Painting ID::  56355 		 
 

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Henri De Toulouse-Lautrec Moulin Rouge oil on canvas


Moulin Rouge
Moulin Rouge
Painting ID::  56967 		  mk250 AD 1892 - 1895 years. Oil on canvas, 121.9 x 140 cm. City of Chicago Art Institute of Chicago.
  mk250 AD 1892 - 1895 years. Oil on canvas, 121.9 x 140 cm. City of Chicago Art Institute of Chicago.

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Henri De Toulouse-Lautrec La Toilette, early painting oil on canvas


La Toilette, early painting
La Toilette, early painting
Painting ID::  61162 		  La Toilette, early painting
  La Toilette, early painting

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Henri De Toulouse-Lautrec Self portrait in the crowd, at the Moulin Rouge oil on canvas


Self portrait in the crowd, at the Moulin Rouge
Self portrait in the crowd, at the Moulin Rouge
Painting ID::  61163 		  Self-portrait in the crowd, at the Moulin Rouge
  Self-portrait in the crowd, at the Moulin Rouge

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     Henri De Toulouse-Lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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