All Henri De Toulouse-Lautrec Oil Paintings

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
 
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Henri De Toulouse-Lautrec The Divan oil on canvas


The Divan
The Divan
Painting ID::  82599 		  Date ca. 1893(1893) Medium Oil and essence on cardboard Dimensions 60 x 80 cm (23.6 x 31.5 in) cjr
  Date ca. 1893(1893) Medium Oil and essence on cardboard Dimensions 60 x 80 cm (23.6 x 31.5 in) cjr

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Henri De Toulouse-Lautrec Klaunka Cha ao v Moulin Rouge oil on canvas


Klaunka Cha ao v Moulin Rouge
Klaunka Cha ao v Moulin Rouge
Painting ID::  83322 		  1895(1895) Medium Oil on canvas Dimensions 75 x 55 cm (29.5 x 21.7 in) cyf
  1895(1895) Medium Oil on canvas Dimensions 75 x 55 cm (29.5 x 21.7 in) cyf

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Henri De Toulouse-Lautrec Equestrienne oil on canvas


Equestrienne
Equestrienne
Painting ID::  84697 		  Date 1888(1888) Medium Oil on canvas Dimensions 98 x 161 cm (38.6 x 63.4 in) cjr
  Date 1888(1888) Medium Oil on canvas Dimensions 98 x 161 cm (38.6 x 63.4 in) cjr

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Henri De Toulouse-Lautrec Young woman at a table oil on canvas


Young woman at a table
Young woman at a table
Painting ID::  85650 		  Date 1887(1887) Medium Oil on canvas cjr
  Date 1887(1887) Medium Oil on canvas cjr

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Henri De Toulouse-Lautrec Equestrienne oil on canvas


Equestrienne
Equestrienne
Painting ID::  88602 		  1888(1888) Medium Oil on canvas Dimensions 98 x 161 cm (38.6 x 63.4 in) cyf
  1888(1888) Medium Oil on canvas Dimensions 98 x 161 cm (38.6 x 63.4 in) cyf

Height    Width


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     Henri De Toulouse-Lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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