All Henri De Toulouse-Lautrec Oil Paintings

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
 
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Henri De Toulouse-Lautrec The modiste oil on canvas


The modiste
The modiste
Painting ID::  93861 		  1900(1900) Medium oil on cardboard Dimensions 61 x 49.5 cm (24 x 19.5 in) cjr
  1900(1900) Medium oil on cardboard Dimensions 61 x 49.5 cm (24 x 19.5 in) cjr

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Henri De Toulouse-Lautrec Mlle Dihau au piano oil on canvas


Mlle Dihau au piano
Mlle Dihau au piano
Painting ID::  94029 		  1890(1890) Medium oil Dimensions 63 x 48 cm cjr
  1890(1890) Medium oil Dimensions 63 x 48 cm cjr

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Henri De Toulouse-Lautrec Woman Combing her Hair oil on canvas


Woman Combing her Hair
Woman Combing her Hair
Painting ID::  96809 		  1891(1891) Medium Oil, essence and pastel on cardboard Dimensions 62 X 46 cm cyf
  1891(1891) Medium Oil, essence and pastel on cardboard Dimensions 62 X 46 cm cyf

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Henri De Toulouse-Lautrec Garden of Malrome oil on canvas


Garden of Malrome
Garden of Malrome
Painting ID::  97103 		  Oil and essence on cardboard Dimensions 55 X 46 cm (21.7 X 18.1 in) cyf
  Oil and essence on cardboard Dimensions 55 X 46 cm (21.7 X 18.1 in) cyf

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Henri De Toulouse-Lautrec the medical inspection 1894 oil on canvas


the medical inspection 1894
the medical inspection 1894
Painting ID::  98146 		  circa 1894(1894) Medium oil on cardboard on wood Dimensions 83.5 x 61.4 cm cyf
  circa 1894(1894) Medium oil on cardboard on wood Dimensions 83.5 x 61.4 cm cyf

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     Henri De Toulouse-Lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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