All Henri De Toulouse-Lautrec Oil Paintings

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
 
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Henri De Toulouse-Lautrec Jan Avril Dancing oil on canvas


Jan Avril Dancing
Jan Avril Dancing
Painting ID::  33946 		  mk87 1892 Oil on cardboard 85.5x45cm Paris,Musee d'Orsay
  mk87 1892 Oil on cardboard 85.5x45cm Paris,Musee d'Orsay

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Henri De Toulouse-Lautrec Two Women Dancing at the Moulin Rouge oil on canvas


Two Women Dancing at the Moulin Rouge
Two Women Dancing at the Moulin Rouge
Painting ID::  33991 		  mk87 1892 Oil on cardboard 95x80cm Prague,Narodni Galeri
  mk87 1892 Oil on cardboard 95x80cm Prague,Narodni Galeri

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Henri De Toulouse-Lautrec Henry Samary oil on canvas


Henry Samary
Henry Samary
Painting ID::  33992 		  mk87 1889 Oil on cardboard 74.9x51.9cm Paris,Musee d'Orsay
  mk87 1889 Oil on cardboard 74.9x51.9cm Paris,Musee d'Orsay

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Henri De Toulouse-Lautrec The Clowness Cha u kao oil on canvas


The Clowness Cha u kao
The Clowness Cha u kao
Painting ID::  33993 		  mk87 1895 Oil on cardboard 64x49cm Paris,Musee d'Orsay
  mk87 1895 Oil on cardboard 64x49cm Paris,Musee d'Orsay

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Henri De Toulouse-Lautrec The Toilette oil on canvas


The Toilette
The Toilette
Painting ID::  33994 		  mk87 1896 Oil on cardboard 67x54cm Paris,Musee d'Orsay
  mk87 1896 Oil on cardboard 67x54cm Paris,Musee d'Orsay

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     Henri De Toulouse-Lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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