All Henri de toulouse-lautrec Oil Paintings

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
 
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Henri de toulouse-lautrec Salon at the Rue des Moulins oil on canvas


Salon at the Rue des Moulins
Salon at the Rue des Moulins
Painting ID::  61169 		  Salon at the Rue des Moulins
  Salon at the Rue des Moulins

Height    Width


  INS/CM       Quality

X

  
Henri de toulouse-lautrec The Medical Inspection at the Rue des Moulins Brothel oil on canvas


The Medical Inspection at the Rue des Moulins Brothel
The Medical Inspection at the Rue des Moulins Brothel
Painting ID::  61170 		  The Medical Inspection at the Rue des Moulins Brothel
  The Medical Inspection at the Rue des Moulins Brothel

Height    Width


  INS/CM       Quality

X

  
Henri de toulouse-lautrec The Two Girlfriends oil on canvas


The Two Girlfriends
The Two Girlfriends
Painting ID::  61171 		  The Two Girlfriends
  The Two Girlfriends

Height    Width


  INS/CM       Quality

X

  
Henri de toulouse-lautrec Laundryman at the brothel oil on canvas


Laundryman at the brothel
Laundryman at the brothel
Painting ID::  61172 		  Laundryman at the brothel
  Laundryman at the brothel

Height    Width


  INS/CM       Quality

X

  
Henri de toulouse-lautrec Marcelle Lender on stage oil on canvas


Marcelle Lender on stage
Marcelle Lender on stage
Painting ID::  61173 		  Marcelle Lender on stage
  Marcelle Lender on stage

Height    Width


  INS/CM       Quality

X

  
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     Henri de toulouse-lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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