All Ignacio Pinazo Camarlench Oil Paintings

Spanish painter , 1849-1916 was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style.
 

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Ignacio Pinazo Camarlench Alegoria sobre la vendimia oil on canvas


Alegoria sobre la vendimia
Alegoria sobre la vendimia
Painting ID::  85468
  Date c. 1900(1900) Medium Oil on canvas Dimensions 55 x 78 cm (21.7 x 30.7 in) cjr
  Date c. 1900(1900) Medium Oil on canvas Dimensions 55 x 78 cm (21.7 x 30.7 in) cjr

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Ignacio Pinazo Camarlench Emparrado oil on canvas


Emparrado
Emparrado
Painting ID::  85472
  Date 1912(1912) Medium Oil on canvas Dimensions 50 x 65.3 cm (19.7 x 25.7 in) cjr
  Date 1912(1912) Medium Oil on canvas Dimensions 50 x 65.3 cm (19.7 x 25.7 in) cjr

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Ignacio Pinazo Camarlench Retrato de Dona Teresa Martenez oil on canvas


Retrato de Dona Teresa Martenez
Retrato de Dona Teresa Martenez
Painting ID::  85566
  1872(1872) Medium Oil on canvas Dimensions 63.2 x 48.5 cm (24.9 x 19.1 in) cyf
  1872(1872) Medium Oil on canvas Dimensions 63.2 x 48.5 cm (24.9 x 19.1 in) cyf

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Ignacio Pinazo Camarlench Enamorados oil on canvas


Enamorados
Enamorados
Painting ID::  85643
  1878(1878) Medium Oil on canvas Dimensions 29 x 35 cm (11.4 x 13.8 in) cyf
  1878(1878) Medium Oil on canvas Dimensions 29 x 35 cm (11.4 x 13.8 in) cyf

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Ignacio Pinazo Camarlench Senora de Alvarez oil on canvas


Senora de Alvarez
Senora de Alvarez
Painting ID::  86552
  1912(1912) Medium Oil on canvas Dimensions 75.3 x 100.5 cm (29.6 x 39.6 in) cyf
  1912(1912) Medium Oil on canvas Dimensions 75.3 x 100.5 cm (29.6 x 39.6 in) cyf

Height    Width


  INS/CM       Quality

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     Ignacio Pinazo Camarlench
     Spanish painter , 1849-1916 was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style.

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