All J.M.W. Turner Oil Paintings

English Romantic Painter, 1775-1851 landscape master landscape master .British painter and printmaker. He dominated British landscape painting throughout the first half of the 19th century. He established a reputation in the Royal Academy, London, first as a topographical watercolourist and then within a few years as a painter of Sublime and historical landscapes.
 
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J.M.W. Turner Ancient Rome; Agrippina Landing with the Ashes of Germanicus oil on canvas


Ancient Rome; Agrippina Landing with the Ashes of Germanicus
Ancient Rome; Agrippina Landing with the Ashes of Germanicus
Painting ID::  10461 		  1839 Oil on canvas. Tate Gallery,
  1839 Oil on canvas. Tate Gallery,

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J.M.W. Turner Peace - Burial at Sea. oil on canvas


Peace - Burial at Sea.
Peace - Burial at Sea.
Painting ID::  10462 		  1842. Oil on canvas. Tate Gallery,
  1842. Oil on canvas. Tate Gallery,

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J.M.W. Turner The Dogana, San Giorgio, Citella, From the Steps of the Europa. oil on canvas


The Dogana, San Giorgio, Citella, From the Steps of the Europa.
The Dogana, San Giorgio, Citella, From the Steps of the Europa.
Painting ID::  10463 		  1842. Oil on canvas. Tate Gallery
  1842. Oil on canvas. Tate Gallery

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J.M.W. Turner Snow Storm - Steam-Boat off Harbour's Mouth oil on canvas


Snow Storm - Steam-Boat off Harbour's Mouth
Snow Storm - Steam-Boat off Harbour's Mouth
Painting ID::  10464 		  1842 Oil on canvas Tate Gallery,
  1842 Oil on canvas Tate Gallery,

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J.M.W. Turner Light and Colour Morning after the Deluge - Moses Writing the Book of Genesis. oil on canvas


Light and Colour Morning after the Deluge - Moses Writing the Book of Genesis.
Light and Colour Morning after the Deluge - Moses Writing the Book of Genesis.
Painting ID::  10465 		  1843 Oil on canvas. Tate Gallery
  1843 Oil on canvas. Tate Gallery

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     J.M.W. Turner
     English Romantic Painter, 1775-1851 landscape master landscape master .British painter and printmaker. He dominated British landscape painting throughout the first half of the 19th century. He established a reputation in the Royal Academy, London, first as a topographical watercolourist and then within a few years as a painter of Sublime and historical landscapes.

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