All J.M.W.Turner Oil Paintings

English Romantic Painter, 1775-1851, British land- and seascape artist. Born in London the son of a barber, Turner was precociously talented. He entered the RA Schools in 1789, had a drawing exhibited at the academy in 1790, and was elected a full academician in 1802. He became professor of perspective in 1807. A prolific artist of amazing range of subject and style, he began work in water-colours, quickly founding both a reputation and a fortune, which made him independent of changing public taste. His work was not appreciated by everyone, but his supporters included Thomas Lawrence, John Ruskin, and the earl of Egremont. He died in eccentric obscurity under a false name.
 

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J.M.W.Turner the colosseum by moonlight oil on canvas


the colosseum by moonlight
the colosseum by moonlight
Painting ID::  68882
  1819 pencil watercolour and gouache on grey washed paper 22.8x36.8cm se
  1819 pencil watercolour and gouache on grey washed paper 22.8x36.8cm se

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  INS/CM       Quality

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J.M.W.Turner view of naples in the distance oil on canvas


view of naples in the distance
view of naples in the distance
Painting ID::  68883
  1819 pencil , partly finished in watercolour 25.4x40.7cm se
  1819 pencil , partly finished in watercolour 25.4x40.7cm se

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X

  

J.M.W.Turner paestum oil on canvas


paestum
paestum
Painting ID::  68884
  1825 mezzotint 15.4x21.6cm se
  1825 mezzotint 15.4x21.6cm se

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J.M.W.Turner rome from the vatican oil on canvas


rome from the vatican
rome from the vatican
Painting ID::  68885
  1820 oil on canvas 177x335.5cm se
  1820 oil on canvas 177x335.5cm se

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J.M.W.Turner the interior of st peter's basilica oil on canvas


the interior of st peter's basilica
the interior of st peter's basilica
Painting ID::  68888
  1821 watercolour on board 29x41.4cm
  1821 watercolour on board 29x41.4cm

Height    Width


  INS/CM       Quality

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     J.M.W.Turner
     English Romantic Painter, 1775-1851, British land- and seascape artist. Born in London the son of a barber, Turner was precociously talented. He entered the RA Schools in 1789, had a drawing exhibited at the academy in 1790, and was elected a full academician in 1802. He became professor of perspective in 1807. A prolific artist of amazing range of subject and style, he began work in water-colours, quickly founding both a reputation and a fortune, which made him independent of changing public taste. His work was not appreciated by everyone, but his supporters included Thomas Lawrence, John Ruskin, and the earl of Egremont. He died in eccentric obscurity under a false name.

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