All James Abbott Mcneill Whistler Oil Paintings

American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.
 

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James Abbott Mcneill Whistler arrangemang i gratt och svart nr 1 konstnarens moder oil on canvas


arrangemang i gratt och svart nr 1 konstnarens moder
arrangemang i gratt och svart nr 1 konstnarens moder
Painting ID::  56713
  mk248 oinbjuden kom wbistlers foretagsamma, puritanska mor fran usa for att bo bos sin egen alskade fjaril i bans bem i cbelsea, ocb vid ett tillfalle nar ban saknade modell poserade bon for bonom. hon bade svart att sta. sa ban malade sin mor sittende i profil ocb skapade en ikon, wbistler malade benne som en stram komposition i subtila nyanser, finns ekon av de japanska trycken. som dominerande farg valde ban svart, blandad med sa mycket terpentin att fargen sjonk in i den obebandlade duken ocb darigenom far en lysterlos effekt som tilltalande bonom, det bor inte rada nagot tvivel om att det ar just wbistlers vagran att ingjuta berattelse eller kanslosambet i bilden som bar gjort portrattet av bans mor tidlost.
  mk248 oinbjuden kom wbistlers foretagsamma, puritanska mor fran usa for att bo bos sin egen alskade fjaril i bans bem i cbelsea, ocb vid ett tillfalle nar ban saknade modell poserade bon for bonom. hon bade svart att sta. sa ban malade sin mor sittende i profil ocb skapade en ikon, wbistler malade benne som en stram komposition i subtila nyanser, finns ekon av de japanska trycken. som dominerande farg valde ban svart, blandad med sa mycket terpentin att fargen sjonk in i den obebandlade duken ocb darigenom far en lysterlos effekt som tilltalande bonom, det bor inte rada nagot tvivel om att det ar just wbistlers vagran att ingjuta berattelse eller kanslosambet i bilden som bar gjort portrattet av bans mor tidlost.

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James Abbott Mcneill Whistler Nocturne in Black and Gold oil on canvas


Nocturne in Black and Gold
Nocturne in Black and Gold
Painting ID::  56968
  mk250 In the year 1892-1895. Oil on canvas, 60 x 47 cm. Detroit Detroit Institute of Arts
  mk250 In the year 1892-1895. Oil on canvas, 60 x 47 cm. Detroit Detroit Institute of Arts

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James Abbott Mcneill Whistler Arrangement in Gray Portrait of the Painter oil on canvas


Arrangement in Gray Portrait of the Painter
Arrangement in Gray Portrait of the Painter
Painting ID::  61605
  Arrangement in Gray: Portrait of the Painter (self portrait, c. 1872), Detroit Institute of Arts
  Arrangement in Gray: Portrait of the Painter (self portrait, c. 1872), Detroit Institute of Arts

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James Abbott Mcneill Whistler Portrait of Whistler with Hat oil on canvas


Portrait of Whistler with Hat
Portrait of Whistler with Hat
Painting ID::  61606
  Portrait of Whistler with Hat (1858), Freer Gallery of Art, Washington, D.C.
  Portrait of Whistler with Hat (1858), Freer Gallery of Art, Washington, D.C.

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James Abbott Mcneill Whistler Symphony in White, oil on canvas


Symphony in White,
Symphony in White,
Painting ID::  61607
  Symphony in White, No. 1: The White Girl (1862), The National Gallery of Art, Washington, D.C.
  Symphony in White, No. 1: The White Girl (1862), The National Gallery of Art, Washington, D.C.

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     James Abbott Mcneill Whistler
     American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.

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