All James Tissot Oil Paintings

French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.
 

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James Tissot The Dreamer(Summer Evening) oil on canvas


The Dreamer(Summer Evening)
The Dreamer(Summer Evening)
Painting ID::  11166
  undated 1' 1 1/2 x 1' 11 1/4''(34 x 59 cm) Bequest of William Vaughan,1919.
  undated 1' 1 1/2 x 1' 11 1/4''(34 x 59 cm) Bequest of William Vaughan,1919.

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James Tissot The Ball oil on canvas


The Ball
The Ball
Painting ID::  11167
  undated 2' 11 1/2 x 1' 7 3/4''(90 x 50 cm) Bequest of William Vaughan,1919
  undated 2' 11 1/2 x 1' 7 3/4''(90 x 50 cm) Bequest of William Vaughan,1919

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James Tissot Portrait of Mlle.L.L(or Young Girl in Red Jacket) oil on canvas


Portrait of Mlle.L.L(or Young Girl in Red Jacket)
Portrait of Mlle.L.L(or Young Girl in Red Jacket)
Painting ID::  11175
  1864 (Salon of !864) 4' 1'' x 3 3''(124 x 99cm)
  1864 (Salon of !864) 4' 1'' x 3 3''(124 x 99cm)

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James Tissot The Return of the Prodigal Son (nn01) oil on canvas


The Return of the Prodigal Son (nn01)
The Return of the Prodigal Son (nn01)
Painting ID::  22843
  Tissot's 1862 painting le retour de l'enfant prodigue (The Return of the Prodigal Son) Places the biblical story in a Leys-Inspired medieval setting
  Tissot's 1862 painting le retour de l'enfant prodigue (The Return of the Prodigal Son) Places the biblical story in a Leys-Inspired medieval setting

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James Tissot Tissot in an artist's studio (nn01) oil on canvas


Tissot in an artist's studio (nn01)
Tissot in an artist's studio (nn01)
Painting ID::  22844
  painted in 1868 by Degas,a friend from his student days
  painted in 1868 by Degas,a friend from his student days

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     James Tissot
     French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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