1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
c. 1435(1435)
Medium Oil, transferred from wood to canvas
Dimensions Height: 93 cm (36.6 in). Width: 37 cm (14.6 in).
cjr
c. 1435(1435)
Medium Oil, transferred from wood to canvas
Dimensions Height: 93 cm (36.6 in). Width: 37 cm (14.6 in).
cjr
Height Width
INS/CM Quality
X
Madonna mit dem lesenden Kinde
Madonna mit dem lesenden Kinde
Painting ID:: 90592
1436(1436)
Medium oil on panel
Dimensions Height: 65.5 cm (25.8 in). Width: 49.5 cm (19.5 in).
cyf
1436(1436)
Medium oil on panel
Dimensions Height: 65.5 cm (25.8 in). Width: 49.5 cm (19.5 in).
cyf
Height Width
INS/CM Quality
X
Stigmatization of St Francis
Stigmatization of St Francis
Painting ID:: 90625
between 1428(1428) and 1429(1429)
Medium oil on panel
Dimensions Height: 12.5 cm (4.9 in). Width: 14.5 cm (5.7 in).
cyf
between 1428(1428) and 1429(1429)
Medium oil on panel
Dimensions Height: 12.5 cm (4.9 in). Width: 14.5 cm (5.7 in).
cyf
1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.