All Jan Van Kessel Oil Paintings

1626-1679 Dutch Jan Van Kessel Gallery Dutch painter and draughtsman. He was a follower, and probably a pupil, of Jacob van Ruisdael and covered the same range of subjects painted by Ruisdael, with the exception of marine paintings. However, van Kessel is best known for his townscapes and panoramic views, as exemplified by the Sluice and the New City Ramparts of Amsterdam in Winter (Amsterdam, Hist. Mus.) and the Bleaching Grounds near Haarlem (Brussels, Mus. A. Anc.). He imitated the water-mills and village scenes of his friend Meindert Hobbema, as well as the waterfalls of Allaert van Everdingen, the wooded landscapes of Jan Wijnants and the winter scenes of Jan van de Cappelle. Many of van Kessel's 120 surviving pictures, including The Avenue (Stuttgart, Staatsgal.) and the Ford in the Woods (Dresden, Gem?ldegal. Alte Meister), were once attributed to van Ruisdael and these other masters (often with an authentic signature covered by the better-known name). Van Kessel is also frequently confused with other minor artists in van Ruisdael's circle, especially Jan Vermeer van Haarlem the younger, Isaac Koene (1637/40-1713), Jacob Salomonsz. van Ruysdael (1629/30-1681) and Anthonie van Borssom. As a draughtsman, van Kessel emulated van Ruisdael's mature style, working almost exclusively in black chalk and grey wash. The best of his 70 drawings are townscapes, although his studies of trees and depictions of farmsteads are noteworthy. A number of correlations exist between his sketches and paintings. There is no known relationship with the Flemish artists of the same name.
 

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Jan Van Kessel Die vier Erdteile oil on canvas


Die vier Erdteile
Die vier Erdteile
Painting ID::  72148
  1664-66 Oil on copper plate 175 x 123 cm cjr
  1664-66 Oil on copper plate 175 x 123 cm cjr

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Jan Van Kessel Still life with Oysters oil on canvas


Still life with Oysters
Still life with Oysters
Painting ID::  76043
  Date 17th century Medium Oil on canvas Dimensions 42x77 cm cyf
  Date 17th century Medium Oil on canvas Dimensions 42x77 cm cyf

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Jan Van Kessel A still life with tulips oil on canvas


A still life with tulips
A still life with tulips
Painting ID::  76531
  17th century Medium Oil on canvas Dimensions 82,6 x 63,6 cm cyf
  17th century Medium Oil on canvas Dimensions 82,6 x 63,6 cm cyf

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Jan Van Kessel Garland of Flowers with the Holy Family oil on canvas


Garland of Flowers with the Holy Family
Garland of Flowers with the Holy Family
Painting ID::  83772
  Medium Oil on canvas cjr
  Medium Oil on canvas cjr

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Jan Van Kessel Garland of Flowers with the Holy Family oil on canvas


Garland of Flowers with the Holy Family
Garland of Flowers with the Holy Family
Painting ID::  87685
  Oil on canvas cyf
  Oil on canvas cyf

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     Jan Van Kessel
     1626-1679 Dutch Jan Van Kessel Gallery Dutch painter and draughtsman. He was a follower, and probably a pupil, of Jacob van Ruisdael and covered the same range of subjects painted by Ruisdael, with the exception of marine paintings. However, van Kessel is best known for his townscapes and panoramic views, as exemplified by the Sluice and the New City Ramparts of Amsterdam in Winter (Amsterdam, Hist. Mus.) and the Bleaching Grounds near Haarlem (Brussels, Mus. A. Anc.). He imitated the water-mills and village scenes of his friend Meindert Hobbema, as well as the waterfalls of Allaert van Everdingen, the wooded landscapes of Jan Wijnants and the winter scenes of Jan van de Cappelle. Many of van Kessel's 120 surviving pictures, including The Avenue (Stuttgart, Staatsgal.) and the Ford in the Woods (Dresden, Gem?ldegal. Alte Meister), were once attributed to van Ruisdael and these other masters (often with an authentic signature covered by the better-known name). Van Kessel is also frequently confused with other minor artists in van Ruisdael's circle, especially Jan Vermeer van Haarlem the younger, Isaac Koene (1637/40-1713), Jacob Salomonsz. van Ruysdael (1629/30-1681) and Anthonie van Borssom. As a draughtsman, van Kessel emulated van Ruisdael's mature style, working almost exclusively in black chalk and grey wash. The best of his 70 drawings are townscapes, although his studies of trees and depictions of farmsteads are noteworthy. A number of correlations exist between his sketches and paintings. There is no known relationship with the Flemish artists of the same name.

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