All Jan lievens Oil Paintings

Dutch Baroque Era Painter, 1607-1674 Dutch painter, draughtsman and printmaker. His work has often suffered by comparison with that of Rembrandt, with whom he was closely associated from 1625 to 1631. Yet Lievens's early work is equal to that of Rembrandt, although in later years he turned more towards a somewhat facile rendering of the international Baroque style favoured by his noble patrons, thus never fully realizing his early promise.
 
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Jan lievens Air and Youth oil on canvas


Air and Youth
Air and Youth
Painting ID::  86586 		  Date c. 1668(1668) Medium Oil on oak Dimensions Height: 84 cm (33.1 in). Width: 60 cm (23.6 in). cjr
  Date c. 1668(1668) Medium Oil on oak Dimensions Height: 84 cm (33.1 in). Width: 60 cm (23.6 in). cjr

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Jan lievens A youth blowing on coals. oil on canvas


A youth blowing on coals.
A youth blowing on coals.
Painting ID::  88580 		  c. 1625(1625) Medium Oil on panel cjr
  c. 1625(1625) Medium Oil on panel cjr

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Jan lievens Jan Lievens oil on canvas


Jan Lievens
Jan Lievens
Painting ID::  88799 		  1629(1629) Medium Oil on oak panel cyf
  1629(1629) Medium Oil on oak panel cyf

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Jan lievens Portrait of Petrus Egidius de Morrion oil on canvas


Portrait of Petrus Egidius de Morrion
Portrait of Petrus Egidius de Morrion
Painting ID::  89326 		  1637(1637) Medium oil on wood cyf
  1637(1637) Medium oil on wood cyf

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Jan lievens Portrait of Rembrandt van Rijn oil on canvas


Portrait of Rembrandt van Rijn
Portrait of Rembrandt van Rijn
Painting ID::  90207 		  c. 1628(1628) Medium oil on panel Dimensions 57 x 44.5 cm (22.4 x 17.5 in) cjr
  c. 1628(1628) Medium oil on panel Dimensions 57 x 44.5 cm (22.4 x 17.5 in) cjr

Height    Width


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     Jan lievens
     Dutch Baroque Era Painter, 1607-1674 Dutch painter, draughtsman and printmaker. His work has often suffered by comparison with that of Rembrandt, with whom he was closely associated from 1625 to 1631. Yet Lievens's early work is equal to that of Rembrandt, although in later years he turned more towards a somewhat facile rendering of the international Baroque style favoured by his noble patrons, thus never fully realizing his early promise.

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