All Jean Marc Nattier Oil Paintings

1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
 

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Jean Marc Nattier Duchess of Parma oil on canvas


Duchess of Parma
Duchess of Parma
Painting ID::  78879
  1760(1760) Medium Oil on canvas Dimensions 136 x 104 cm (53.5 x 40.9 in) cyf
  1760(1760) Medium Oil on canvas Dimensions 136 x 104 cm (53.5 x 40.9 in) cyf

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Jean Marc Nattier previously known as Portrait of a Lady oil on canvas


previously known as Portrait of a Lady
previously known as Portrait of a Lady
Painting ID::  78882
  1757(1757) Medium Oil on canvas Dimensions 57 x 45 cm (22.4 x 17.7 in) cyf
  1757(1757) Medium Oil on canvas Dimensions 57 x 45 cm (22.4 x 17.7 in) cyf

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Jean Marc Nattier Portrait of Anne Henriette of France oil on canvas


Portrait of Anne Henriette of France
Portrait of Anne Henriette of France
Painting ID::  78890
  1742(1742) Medium Oil on canvas Dimensions 96 x 151 cm (37.8 x 59.4 in) cyf
  1742(1742) Medium Oil on canvas Dimensions 96 x 151 cm (37.8 x 59.4 in) cyf

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Jean Marc Nattier Duchesse de Chartres oil on canvas


Duchesse de Chartres
Duchesse de Chartres
Painting ID::  78961
  1744(1744) Medium Oil on canvas Dimensions 131 x 105 cm (51.6 x 41.3 in) cyf
  1744(1744) Medium Oil on canvas Dimensions 131 x 105 cm (51.6 x 41.3 in) cyf

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Jean Marc Nattier Dauphine de France oil on canvas


Dauphine de France
Dauphine de France
Painting ID::  78994
  1751(1751) Medium Oil on canvas Dimensions 105 x 120 cm (41.3 x 47.2 in) cyf
  1751(1751) Medium Oil on canvas Dimensions 105 x 120 cm (41.3 x 47.2 in) cyf

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     Jean Marc Nattier
     1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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