All Jean Marc Nattier Oil Paintings

1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
 

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Jean Marc Nattier Madame Sophie of France oil on canvas


Madame Sophie of France
Madame Sophie of France
Painting ID::  79867
  1748(1748) Medium Oil on canvas Dimensions 79 x 60 cm (31.1 x 23.6 in) cyf
  1748(1748) Medium Oil on canvas Dimensions 79 x 60 cm (31.1 x 23.6 in) cyf

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Jean Marc Nattier Madame Victoire of France oil on canvas


Madame Victoire of France
Madame Victoire of France
Painting ID::  79869
  1748(1748) Medium Oil on canvas Dimensions 79 x 60 cm (31.1 x 23.6 in) cyf
  1748(1748) Medium Oil on canvas Dimensions 79 x 60 cm (31.1 x 23.6 in) cyf

Height    Width


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Jean Marc Nattier Portrait of a Lady oil on canvas


Portrait of a Lady
Portrait of a Lady
Painting ID::  79942
  1738(1738) Medium Oil on canvas Dimensions 80.6 x 65.2 cm (31.7 x 25.7 in) cyf
  1738(1738) Medium Oil on canvas Dimensions 80.6 x 65.2 cm (31.7 x 25.7 in) cyf

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Jean Marc Nattier La comtesse Tessin oil on canvas


La comtesse Tessin
La comtesse Tessin
Painting ID::  79977
  1741(1741) Medium Oil on canvas Dimensions 81 x 65 cm (31.9 x 25.6 in) cyf
  1741(1741) Medium Oil on canvas Dimensions 81 x 65 cm (31.9 x 25.6 in) cyf

Height    Width


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Jean Marc Nattier Portrait de Madame de Pompadour en Diane oil on canvas


Portrait de Madame de Pompadour en Diane
Portrait de Madame de Pompadour en Diane
Painting ID::  80038
  1748(1748) Medium Oil on canvas Dimensions 53 x 43 cm (20.9 x 16.9 in) cyf
  1748(1748) Medium Oil on canvas Dimensions 53 x 43 cm (20.9 x 16.9 in) cyf

Height    Width


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     Jean Marc Nattier
     1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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