All Jean antoine Watteau Oil Paintings

French Rococo Era Painter, 1684-1721 He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume
 
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Jean antoine Watteau Die italienische Komodie oil on canvas


Die italienische Komodie
Die italienische Komodie
Painting ID::  69065 		  c. 1718 oil on canvas Deutsch: 37 X 48 cm
  c. 1718 oil on canvas Deutsch: 37 X 48 cm

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Jean antoine Watteau Die Schafer oil on canvas


Die Schafer
Die Schafer
Painting ID::  70955 		  Medium Oil on canvas Dimensions 56 x 81 cm
  Medium Oil on canvas Dimensions 56 x 81 cm

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Jean antoine Watteau Les deux cousines oil on canvas


Les deux cousines
Les deux cousines
Painting ID::  72602 		  Les deux cousines, c. 1717-1718, Musee du Louvre, Paris cjr
  Les deux cousines, c. 1717-1718, Musee du Louvre, Paris cjr

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Jean antoine Watteau Happy Age. Golden Age oil on canvas


Happy Age. Golden Age
Happy Age. Golden Age
Painting ID::  76040 		  oil on panel painting by Jean-Antoine Watteau cyf
  oil on panel painting by Jean-Antoine Watteau cyf

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Jean antoine Watteau Der Gleichgutige oil on canvas


Der Gleichgutige
Der Gleichgutige
Painting ID::  91039 		  Oil on canvas Dimensions 26 x 19 cm (10.2 x 7.5 in) cyf
  Oil on canvas Dimensions 26 x 19 cm (10.2 x 7.5 in) cyf

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     Jean antoine Watteau
     French Rococo Era Painter, 1684-1721 He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume

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