All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres Portrait of Jili oil on canvas


Portrait of Jili
Portrait of Jili
Painting ID::  53200
  mk227 107x86cm 1821 Oil on canvas
  mk227 107x86cm 1821 Oil on canvas

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Jean-Auguste Dominique Ingres Mrs. Yake oil on canvas


Mrs. Yake
Mrs. Yake
Painting ID::  53201
  mk227 Oil on canvas 119.4x92.7cm 1823
  mk227 Oil on canvas 119.4x92.7cm 1823

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Jean-Auguste Dominique Ingres Man oil on canvas


Man
Man
Painting ID::  53202
  mk227 Oil on canvas 96.5x78.5cm 1811
  mk227 Oil on canvas 96.5x78.5cm 1811

Height    Width


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Jean-Auguste Dominique Ingres Lady of Henli oil on canvas


Lady of Henli
Lady of Henli
Painting ID::  53203
  mk227 73x62cm 1845-1852 Oil on canvas
  mk227 73x62cm 1845-1852 Oil on canvas

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Jean-Auguste Dominique Ingres Davi oil on canvas


Davi
Davi
Painting ID::  53204
  mk227 Oil on canvas 103x83.5cm 1826
  mk227 Oil on canvas 103x83.5cm 1826

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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