All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres Self-portrait oil on canvas


Self-portrait
Self-portrait
Painting ID::  53220
  mk227 78.1x61cm 1804
  mk227 78.1x61cm 1804

Height    Width


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Jean-Auguste Dominique Ingres Self-portrait oil on canvas


Self-portrait
Self-portrait
Painting ID::  53221
  mk227 Oil on canvas 60x54cm 1858
  mk227 Oil on canvas 60x54cm 1858

Height    Width


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Jean-Auguste Dominique Ingres Self-portrait oil on canvas


Self-portrait
Self-portrait
Painting ID::  53222
  mk227 Oil on canvas 86.4x69.9cm
  mk227 Oil on canvas 86.4x69.9cm

Height    Width


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Jean-Auguste Dominique Ingres Self-portrait oil on canvas


Self-portrait
Self-portrait
Painting ID::  53223
  mk227 oil on canvas
  mk227 oil on canvas

Height    Width


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Jean-Auguste Dominique Ingres Portrait of man oil on canvas


Portrait of man
Portrait of man
Painting ID::  53224
  mk227 1834cm Oil on canvas
  mk227 1834cm Oil on canvas

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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