All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 

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Jean-Auguste Dominique Ingres Maeki oil on canvas


Maeki
Maeki
Painting ID::  53268
  mk227 Oil on canvas 1811
  mk227 Oil on canvas 1811

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Jean-Auguste Dominique Ingres Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  53299
  mk227 oil on canvas 86.4x69.9cm 1804
  mk227 oil on canvas 86.4x69.9cm 1804

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Jean-Auguste Dominique Ingres Portrait of man oil on canvas


Portrait of man
Portrait of man
Painting ID::  53300
  mk227 Oil on canvas 1834
  mk227 Oil on canvas 1834

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Jean-Auguste Dominique Ingres Portrait of Yakilusi oil on canvas


Portrait of Yakilusi
Portrait of Yakilusi
Painting ID::  53301
  mk227 Oil on canvas 121x95cm 1832
  mk227 Oil on canvas 121x95cm 1832

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Jean-Auguste Dominique Ingres La Grande Baigneuse oil on canvas


La Grande Baigneuse
La Grande Baigneuse
Painting ID::  53864
  mk234 1808 146x97cm
  mk234 1808 146x97cm

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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