All Jean-Auguste Dominique Ingres Oil Paintings

French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
 
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Jean-Auguste Dominique Ingres Mr. Bertin portrait oil on canvas


Mr. Bertin portrait
Mr. Bertin portrait
Painting ID::  57276 		  mk255 for in 1832. 1.16 x 0.95 meters canvas. Paris, the Louvre
  mk255 for in 1832. 1.16 x 0.95 meters canvas. Paris, the Louvre

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Jean-Auguste Dominique Ingres The Violinist Niccol oil on canvas


The Violinist Niccol
The Violinist Niccol
Painting ID::  62385 		  1819 Pencil, 298 x 218 mm Mus?e du Louvre, Paris Ingres was a life-long proponent of the primacy of line over colour. His service to art lay in his abilities as a portraitist and as one of the most important draughtsmen of the century. His portrait drawings are remarkable for their psychological empathy and the enormous subtlety with which light and surface area are treated. Ingres, himself a talented violinist, drew a portrait of Niccol?Paganini - at that stage at the very beginning of his career - probably as a reminder of concerts the two friends had performed together. Listen to an example of Paganini's music
  1819 Pencil, 298 x 218 mm Mus?e du Louvre, Paris Ingres was a life-long proponent of the primacy of line over colour. His service to art lay in his abilities as a portraitist and as one of the most important draughtsmen of the century. His portrait drawings are remarkable for their psychological empathy and the enormous subtlety with which light and surface area are treated. Ingres, himself a talented violinist, drew a portrait of Niccol?Paganini - at that stage at the very beginning of his career - probably as a reminder of concerts the two friends had performed together. Listen to an example of Paganini's music

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Jean-Auguste Dominique Ingres mme de senonnes oil on canvas


mme de senonnes
mme de senonnes
Painting ID::  64337 		  1806 nantes, museum
  1806 nantes, museum

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Jean-Auguste Dominique Ingres mme moitessier oil on canvas


mme moitessier
mme moitessier
Painting ID::  64355 		  1856 london, the national gallery
  1856 london, the national gallery

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Jean-Auguste Dominique Ingres the baroness rothschild oil on canvas


the baroness rothschild
the baroness rothschild
Painting ID::  64395 		  1848 collection guy de rothschild
  1848 collection guy de rothschild

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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