All Jean-Baptiste Camille Corot Oil Paintings

(July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
 
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Jean-Baptiste Camille Corot Castelgandolfo oil on canvas


Castelgandolfo
Castelgandolfo
Painting ID::  87561 		  Date c. 1826(1826) Medium Oil on canvas Dimensions 36,3 x 28,3 cm cjr
  Date c. 1826(1826) Medium Oil on canvas Dimensions 36,3 x 28,3 cm cjr

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Jean-Baptiste Camille Corot Frau in Blau oil on canvas


Frau in Blau
Frau in Blau
Painting ID::  87881 		  Date 1874(1874) Medium Oil on canvas cjr
  Date 1874(1874) Medium Oil on canvas cjr

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Jean-Baptiste Camille Corot Strabe in Sin-Le-Noble oil on canvas


Strabe in Sin-Le-Noble
Strabe in Sin-Le-Noble
Painting ID::  87983 		  1873(1873) Medium Oil on canvas Dimensions 60 x 81 cm cjr
  1873(1873) Medium Oil on canvas Dimensions 60 x 81 cm cjr

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Jean-Baptiste Camille Corot Portrait of Octavie Sennegon, the artist's niece oil on canvas


Portrait of Octavie Sennegon, the artist's niece
Portrait of Octavie Sennegon, the artist's niece
Painting ID::  88949 		  1833(1833) Medium Oil on canvas Dimensions Deutsch: 35 x 29,5 cm cjr
  1833(1833) Medium Oil on canvas Dimensions Deutsch: 35 x 29,5 cm cjr

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Jean-Baptiste Camille Corot Portrat Madame Charmois oil on canvas


Portrat Madame Charmois
Portrat Madame Charmois
Painting ID::  89356 		  1837(1837) Medium oil on canvas Dimensions Deutsch: 43 x 35 cm cjr
  1837(1837) Medium oil on canvas Dimensions Deutsch: 43 x 35 cm cjr

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     Jean-Baptiste Camille Corot
     (July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.

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