All Johann Heinrich Fuseli Oil Paintings

1741-1825 Romanticism Swiss
 
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Johann Heinrich Fuseli Silence oil on canvas


Silence
Silence
Painting ID::  52492 		  1799-1801 Oil on canvas, 63,5 x 51,5 cm
  1799-1801 Oil on canvas, 63,5 x 51,5 cm

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Johann Heinrich Fuseli Lady Macbeth with the Daggers oil on canvas


Lady Macbeth with the Daggers
Lady Macbeth with the Daggers
Painting ID::  52497 		  1812 Oil on canvas, 101,6 x 127 cm
  1812 Oil on canvas, 101,6 x 127 cm

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Johann Heinrich Fuseli The Artist Moved by the Grandeur of Antique Fragments oil on canvas


The Artist Moved by the Grandeur of Antique Fragments
The Artist Moved by the Grandeur of Antique Fragments
Painting ID::  62501 		  1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other
  1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other

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Johann Heinrich Fuseli Brunhilde Observing Gunther oil on canvas


Brunhilde Observing Gunther
Brunhilde Observing Gunther
Painting ID::  62502 		  Whom She Has Tied to the Ceiling 1807 Pencil, pen and ink and wash, 483 x 317 mm City Museum and Art Gallery, Nottingham The subject is taken from the Niebelung Saga (X, 648-50). Author: FUSELI, John Henry Title: Brunhilde Observing Gunther, Whom She Has Tied to the Ceiling Form: graphics , 1751-1800 , Swiss , other
  Whom She Has Tied to the Ceiling 1807 Pencil, pen and ink and wash, 483 x 317 mm City Museum and Art Gallery, Nottingham The subject is taken from the Niebelung Saga (X, 648-50). Author: FUSELI, John Henry Title: Brunhilde Observing Gunther, Whom She Has Tied to the Ceiling Form: graphics , 1751-1800 , Swiss , other

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Johann Heinrich Fuseli Portrait of a Young Woman oil on canvas


Portrait of a Young Woman
Portrait of a Young Woman
Painting ID::  62845 		  101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait
  101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait

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