All Johann Zoffany Oil Paintings

German (Resident in Britain) 1734-1810 Johann Zoffany Galleries Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.
 

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Johann Zoffany fruit state in Florence oil on canvas


fruit state in Florence
fruit state in Florence
Painting ID::  45453
  mk186 around 1777 London deed Gallery
  mk186 around 1777 London deed Gallery

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Johann Zoffany The visit in the lord oil on canvas


The visit in the lord
The visit in the lord
Painting ID::  45671
  mk186 1746 New York, Metropolitan museum
  mk186 1746 New York, Metropolitan museum

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Johann Zoffany A view of the grounds of  Hampton House oil on canvas


A view of the grounds of Hampton House
A view of the grounds of Hampton House
Painting ID::  48611
  mk190 1762
  mk190 1762

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Johann Zoffany A View of the grounds of Hampton House with Mrs and Mrs Garrick taking tea oil on canvas


A View of the grounds of Hampton House with Mrs and Mrs Garrick taking tea
A View of the grounds of Hampton House with Mrs and Mrs Garrick taking tea
Painting ID::  48612
  mk190 1762
  mk190 1762

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Johann Zoffany Self portrait as David with the head of Goliath, oil on canvas


Self portrait as David with the head of Goliath,
Self portrait as David with the head of Goliath,
Painting ID::  61644
  Self-portrait as David with the head of Goliath, 1756
  Self-portrait as David with the head of Goliath, 1756

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     Johann Zoffany
     German (Resident in Britain) 1734-1810 Johann Zoffany Galleries Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.

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