All John Henry Twachtman Oil Paintings

American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,
 

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John Henry Twachtman Waterfall in Yellowstone oil on canvas


Waterfall in Yellowstone
Waterfall in Yellowstone
Painting ID::  41489
  mk162 c.1895 Oil on canvas 23x16
  mk162 c.1895 Oil on canvas 23x16

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John Henry Twachtman Arques-la-Bataille oil on canvas


Arques-la-Bataille
Arques-la-Bataille
Painting ID::  44793
  mk177 1885 Oil on canvas 60x78in
  mk177 1885 Oil on canvas 60x78in

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John Henry Twachtman Gloucester Harbor oil on canvas


Gloucester Harbor
Gloucester Harbor
Painting ID::  44802
  mk177 1901 Oil on canvas 25x25in
  mk177 1901 Oil on canvas 25x25in

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John Henry Twachtman THe Waterfall oil on canvas


THe Waterfall
THe Waterfall
Painting ID::  44803
  mk177 c.1890-1900 Oil on canvas 30x30in
  mk177 c.1890-1900 Oil on canvas 30x30in

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John Henry Twachtman The White Bridge oil on canvas


The White Bridge
The White Bridge
Painting ID::  44815
  mk177 1900 Oil on canvas 30x25
  mk177 1900 Oil on canvas 30x25

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     John Henry Twachtman
     American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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