All John Singer Sargent Oil Paintings

1856-1925 John Singer Sargent Locations John Singer Sargent (January 12, 1856 ?C April 14, 1925) was the most successful portrait painter of his era. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida. Before Sargent??s birth, his father FitzWilliam was an eye surgeon at the Wills Hospital in Philadelphia. After his older sister died at the age of two, his mother Mary (n??e Singer) suffered a mental collapse and the couple decided to go abroad to recover. They remained nomadic ex-patriates for the rest of their lives. Though based in Paris, Sargent??s parents moved regularly with the seasons to the sea and the mountain resorts in France, Germany, Italy, and Switzerland. While she was pregnant, they stopped in Florence, Italy because of a cholera epidemic, and there Sargent was born in 1856. A year later, his sister Mary was born. After her birth FitzWilliam reluctantly resigned his post in Philadelphia and accepted his wife??s entreaties to remain abroad. They lived modestly on a small inheritance and savings, living an isolated life with their children and generally avoiding society and other Americans except for friends in the art world. Four more children were born abroad of whom two lived past childhood. Though his father was a patient teacher of basic subjects, young Sargent was a rambunctious child, more interested in outdoor activities than his studies. As his father wrote home, ??He is quite a close observer of animated nature.?? Contrary to his father, his mother was quite convinced that traveling around Europe, visiting museums and churches, would give young Sargent a satisfactory education. Several attempts to give him formal schooling failed, owning mostly to their itinerant life. She was a fine amateur artist and his father was a skilled medical illustrator. Early on, she gave him sketchbooks and encouraged drawing excursions. Young Sargent worked with care on his drawings, and he enthusiastically copied images from the Illustrated London News of ships and made detailed sketches of landscapes. FitzWilliam had hoped that his son??s interest in ships and the sea might lead him toward a naval career. At thirteen, his mother reported that John ??sketches quite nicely, & has a remarkably quick and correct eye. If we could afford to give him really good lessons, he would soon be quite a little artist.?? At age thirteen, he received some watercolor lessons from Carl Welsch, a German landscape painter. Though his education was far from complete, Sargent grew up to be a highly literate and cosmopolitan young man, accomplished in art, music, and literature. He was fluent in French, Italian, and German. At seventeen, Sargent was described as ??willful, curious, determined and strong?? (after his mother) yet shy, generous, and modest (after his father). He was well-acquainted with many of the great masters from first hand observation, as he wrote in 1874, ??I have learned in Venice to admire Tintoretto immensely and to consider him perhaps second only to Michael Angelo and Titian.??
 

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John Singer Sargent Madame Paul Escudier oil on canvas


Madame Paul Escudier
Madame Paul Escudier
Painting ID::  68243
  73.2 cm x 59.5 cm Oil on canvas 1882
  73.2 cm x 59.5 cm Oil on canvas 1882

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John Singer Sargent Edith Minturn Stokes oil on canvas


Edith Minturn Stokes
Edith Minturn Stokes
Painting ID::  68245
  Mr. and Mrs. I. N. Phelps Stokes, 1897 John Singer Sargent (American, 1856?C1925) Oil on canvas; 84 1/4 x 39 3/4 in. (214 x 101 cm) Bequest of Edith Minturn Phelps Stokes (Mrs. I. N.), 1938 (38.104)
  Mr. and Mrs. I. N. Phelps Stokes, 1897 John Singer Sargent (American, 1856?C1925) Oil on canvas; 84 1/4 x 39 3/4 in. (214 x 101 cm) Bequest of Edith Minturn Phelps Stokes (Mrs. I. N.), 1938 (38.104)

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John Singer Sargent Beach Scene oil on canvas


Beach Scene
Beach Scene
Painting ID::  68247
  John Singer Sargent, Beach Scene, 1880. Oil on panel, private collection
  John Singer Sargent, Beach Scene, 1880. Oil on panel, private collection

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John Singer Sargent Mrs. Fiske Warren oil on canvas


Mrs. Fiske Warren
Mrs. Fiske Warren
Painting ID::  68249
  Mrs. Fiske Warren (Gretchen Osgood) and Her Daughter Rachel 1903 John Singer Sargent, American, 1856?C1925 152.4 x 102.55 cm (60 x 40 3/8 in.) Oil on canvas MFA, Boston, MA
  Mrs. Fiske Warren (Gretchen Osgood) and Her Daughter Rachel 1903 John Singer Sargent, American, 1856?C1925 152.4 x 102.55 cm (60 x 40 3/8 in.) Oil on canvas MFA, Boston, MA

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John Singer Sargent The Right Honourable Joseph Chamberlain oil on canvas


The Right Honourable Joseph Chamberlain
The Right Honourable Joseph Chamberlain
Painting ID::  68250
  "The Right Honourable Joseph Chamberlain," oil on canvas, by the American artist John Singer Sargent. Courtesy of the National Portrait Gallery, London.
  "The Right Honourable Joseph Chamberlain," oil on canvas, by the American artist John Singer Sargent. Courtesy of the National Portrait Gallery, London.

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     John Singer Sargent
     1856-1925 John Singer Sargent Locations John Singer Sargent (January 12, 1856 ?C April 14, 1925) was the most successful portrait painter of his era. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida. Before Sargent??s birth, his father FitzWilliam was an eye surgeon at the Wills Hospital in Philadelphia. After his older sister died at the age of two, his mother Mary (n??e Singer) suffered a mental collapse and the couple decided to go abroad to recover. They remained nomadic ex-patriates for the rest of their lives. Though based in Paris, Sargent??s parents moved regularly with the seasons to the sea and the mountain resorts in France, Germany, Italy, and Switzerland. While she was pregnant, they stopped in Florence, Italy because of a cholera epidemic, and there Sargent was born in 1856. A year later, his sister Mary was born. After her birth FitzWilliam reluctantly resigned his post in Philadelphia and accepted his wife??s entreaties to remain abroad. They lived modestly on a small inheritance and savings, living an isolated life with their children and generally avoiding society and other Americans except for friends in the art world. Four more children were born abroad of whom two lived past childhood. Though his father was a patient teacher of basic subjects, young Sargent was a rambunctious child, more interested in outdoor activities than his studies. As his father wrote home, ??He is quite a close observer of animated nature.?? Contrary to his father, his mother was quite convinced that traveling around Europe, visiting museums and churches, would give young Sargent a satisfactory education. Several attempts to give him formal schooling failed, owning mostly to their itinerant life. She was a fine amateur artist and his father was a skilled medical illustrator. Early on, she gave him sketchbooks and encouraged drawing excursions. Young Sargent worked with care on his drawings, and he enthusiastically copied images from the Illustrated London News of ships and made detailed sketches of landscapes. FitzWilliam had hoped that his son??s interest in ships and the sea might lead him toward a naval career. At thirteen, his mother reported that John ??sketches quite nicely, & has a remarkably quick and correct eye. If we could afford to give him really good lessons, he would soon be quite a little artist.?? At age thirteen, he received some watercolor lessons from Carl Welsch, a German landscape painter. Though his education was far from complete, Sargent grew up to be a highly literate and cosmopolitan young man, accomplished in art, music, and literature. He was fluent in French, Italian, and German. At seventeen, Sargent was described as ??willful, curious, determined and strong?? (after his mother) yet shy, generous, and modest (after his father). He was well-acquainted with many of the great masters from first hand observation, as he wrote in 1874, ??I have learned in Venice to admire Tintoretto immensely and to consider him perhaps second only to Michael Angelo and Titian.??

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