All John William Waterhouse Oil Paintings

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
 

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John William Waterhouse Penelope and the Suitors oil on canvas


Penelope and the Suitors
Penelope and the Suitors
Painting ID::  61593
  Penelope and the Suitors 1912
  Penelope and the Suitors 1912

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John William Waterhouse The Annunciation oil on canvas


The Annunciation
The Annunciation
Painting ID::  61594
  The Annunciation 1914
  The Annunciation 1914

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John William Waterhouse Beatrice oil on canvas


Beatrice
Beatrice
Painting ID::  61595
  Beatrice Circa 1915
  Beatrice Circa 1915

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John William Waterhouse Dante and Beatrice oil on canvas


Dante and Beatrice
Dante and Beatrice
Painting ID::  61596
  Dante and Beatrice 1915
  Dante and Beatrice 1915

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John William Waterhouse I am half sick of shadows, oil on canvas


I am half sick of shadows,
I am half sick of shadows,
Painting ID::  61597
  I am half-sick of shadows, said the Lady of Shalott 1916
  I am half-sick of shadows, said the Lady of Shalott 1916

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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