All Kazimir Malevich Oil Paintings

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
 
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Kazimir Malevich Cow and Fiddle oil on canvas


Cow and Fiddle
Cow and Fiddle
Painting ID::  59717 		  Cow and Fiddle, 1913
  Cow and Fiddle, 1913

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Kazimir Malevich Englishman in Moscow, oil on canvas


Englishman in Moscow,
Englishman in Moscow,
Painting ID::  59718 		  Englishman in Moscow, 1914
  Englishman in Moscow, 1914

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Kazimir Malevich Black Circle, signed 1913 oil on canvas


Black Circle, signed 1913
Black Circle, signed 1913
Painting ID::  59720 		  Black Circle, signed 1913, painted 1915
  Black Circle, signed 1913, painted 1915

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Kazimir Malevich Suprematism oil on canvas


Suprematism
Suprematism
Painting ID::  59722 		  Suprematism (Self-Portrait), 1916
  Suprematism (Self-Portrait), 1916

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Kazimir Malevich Suprematism, Museum of Art, Krasnodar oil on canvas


Suprematism, Museum of Art, Krasnodar
Suprematism, Museum of Art, Krasnodar
Painting ID::  59723 		  Suprematism, Museum of Art, Krasnodar 1916
  Suprematism, Museum of Art, Krasnodar 1916

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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