All Kazimir Malevich Oil Paintings

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
 
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Kazimir Malevich Mower oil on canvas


Mower
Mower
Painting ID::  59729 		  Mower, 1930
  Mower, 1930

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Kazimir Malevich Running man oil on canvas


Running man
Running man
Painting ID::  59730 		  Running man (Holodomor?), 1932
  Running man (Holodomor?), 1932

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Kazimir Malevich red house oil on canvas


red house
red house
Painting ID::  68711 		  1932, oil on canvas 63x55. state russian museum ,leningrad. se
  1932, oil on canvas 63x55. state russian museum ,leningrad. se

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Kazimir Malevich trees oil on canvas


trees
trees
Painting ID::  68712 		  1904, oil 31x19 collection of george costakis, athens se
  1904, oil 31x19 collection of george costakis, athens se

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Kazimir Malevich suprematism oil on canvas


suprematism
suprematism
Painting ID::  68713 		  oil on canvas 80.2x80.3 tate gallery, london se
  oil on canvas 80.2x80.3 tate gallery, london se

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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