All Kazimir Malevich Oil Paintings

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
 

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Kazimir Malevich half figure with a  pink face oil on canvas


half figure with a pink face
half figure with a pink face
Painting ID::  68755
  1928-32 oil on canvas 72x65 se
  1928-32 oil on canvas 72x65 se

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Kazimir Malevich complex presentiment oil on canvas


complex presentiment
complex presentiment
Painting ID::  68756
  1928-32 oil on canvas 99x79 se
  1928-32 oil on canvas 99x79 se

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Kazimir Malevich self-portrait oil on canvas


self-portrait
self-portrait
Painting ID::  68757
  1933 oil on canvas 73x66 se
  1933 oil on canvas 73x66 se

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Kazimir Malevich three figures oil on canvas


three figures
three figures
Painting ID::  68758
  1928, oil on canvas 37x27 se
  1928, oil on canvas 37x27 se

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Kazimir Malevich head of a peasant oil on canvas


head of a peasant
head of a peasant
Painting ID::  68759
  1930, oil on plywood 69x55 se
  1930, oil on plywood 69x55 se

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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