All Kazimir Malevich Oil Paintings

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
 

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Kazimir Malevich head of a peasant oil on canvas


head of a peasant
head of a peasant
Painting ID::  68760
  1928-32 oil on canvas 63.5x51 se
  1928-32 oil on canvas 63.5x51 se

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Kazimir Malevich black square oil on canvas


black square
black square
Painting ID::  68761
  late 1920 oil on canvas 106x106 se
  late 1920 oil on canvas 106x106 se

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Kazimir Malevich composition oil on canvas


composition
composition
Painting ID::  68762
  1928-32 oil 40x56 se
  1928-32 oil 40x56 se

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Kazimir Malevich formula of suprematism oil on canvas


formula of suprematism
formula of suprematism
Painting ID::  68763
  after 1920 watercolour, gouache and graphite pencil on paper 36x54 se
  after 1920 watercolour, gouache and graphite pencil on paper 36x54 se

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Kazimir Malevich peasant woman oil on canvas


peasant woman
peasant woman
Painting ID::  68764
  1930 oil on canvas 98.5x80 se
  1930 oil on canvas 98.5x80 se

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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