All LASTMAN, Pieter Pietersz. Oil Paintings

Dutch Baroque Era Painter, ca.1583-1633 Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.
 

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LASTMAN, Pieter Pietersz. Abraham's Journey to Canaan sg oil on canvas


Abraham's Journey to Canaan sg
Abraham's Journey to Canaan sg
Painting ID::  7812
  1614 Oil on canvas transferred from wood, 72 x 122 cm The Hermitage, St. Petersburg
  1614 Oil on canvas transferred from wood, 72 x 122 cm The Hermitage, St. Petersburg

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LASTMAN, Pieter Pietersz. Juno Discovering Jupiter with Io g oil on canvas


Juno Discovering Jupiter with Io g
Juno Discovering Jupiter with Io g
Painting ID::  7813
  1618 Oil on oak, 54 x 78 cm National Gallery, London
  1618 Oil on oak, 54 x 78 cm National Gallery, London

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LASTMAN, Pieter Pietersz. The Triumph of Mordecai g oil on canvas


The Triumph of Mordecai g
The Triumph of Mordecai g
Painting ID::  7814
  1624 Oil on panel Museum het Rembrandthuis, Amsterdam
  1624 Oil on panel Museum het Rembrandthuis, Amsterdam

Height    Width


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LASTMAN, Pieter Pietersz. Odysseus and Nausicaa g oil on canvas


Odysseus and Nausicaa g
Odysseus and Nausicaa g
Painting ID::  7815
  1619 Oil on panel, 91,5 x 117,2 cm Alte Pinakothek, Munich
  1619 Oil on panel, 91,5 x 117,2 cm Alte Pinakothek, Munich

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LASTMAN, Pieter Pietersz. Orestes and Pylades Disputing at the Altar s oil on canvas


Orestes and Pylades Disputing at the Altar s
Orestes and Pylades Disputing at the Altar s
Painting ID::  7816
  1614 Oil on panel, 83 x 126 cm Rijksmuseum, Amsterdam
  1614 Oil on panel, 83 x 126 cm Rijksmuseum, Amsterdam

Height    Width


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     LASTMAN, Pieter Pietersz.
     Dutch Baroque Era Painter, ca.1583-1633 Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.

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