All LIEVENS, Jan Oil Paintings

Dutch painter (b. 1607, Leiden, d. 1674, Amsterdam) Dutch painter, draughtsman and printmaker. His work has often suffered by comparison with that of Rembrandt, with whom he was closely associated from 1625 to 1631. Yet Lievens's early work is equal to that of Rembrandt, although in later years he turned more towards a somewhat facile rendering of the international Baroque style favoured by his noble patrons, thus never fully realizing his early promise. Nonetheless, he became a renowned portrait painter and draughtsman, and his drawings
 

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LIEVENS, Jan Portrait of a Girl dh oil on canvas


Portrait of a Girl dh
Portrait of a Girl dh
Painting ID::  7896
  1630-35 Oil on wood, 61,5 x 48 cm Museum of Fine Arts, Budapest
  1630-35 Oil on wood, 61,5 x 48 cm Museum of Fine Arts, Budapest

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LIEVENS, Jan Portrait of Petrus Egidius de Morrion g oil on canvas


Portrait of Petrus Egidius de Morrion g
Portrait of Petrus Egidius de Morrion g
Painting ID::  7897
  1637 Oil on wood, 83,5 x 59 cm Museum of Fine Arts, Budapest
  1637 Oil on wood, 83,5 x 59 cm Museum of Fine Arts, Budapest

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LIEVENS, Jan Pilate Washing his Hands sg oil on canvas


Pilate Washing his Hands sg
Pilate Washing his Hands sg
Painting ID::  7898
  Panel Stedelijk Museum De Lakenhal, Leiden
  Panel Stedelijk Museum De Lakenhal, Leiden

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LIEVENS, Jan The Violin Player sg oil on canvas


The Violin Player sg
The Violin Player sg
Painting ID::  7899
  c. 1625 Panel Stedelijk Museum De Lakenhal, Leiden
  c. 1625 Panel Stedelijk Museum De Lakenhal, Leiden

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LIEVENS, Jan Four Elements and Ages of Man: Fire and Childhood oil on canvas


Four Elements and Ages of Man: Fire and Childhood
Four Elements and Ages of Man: Fire and Childhood
Painting ID::  72776
  Date c. 1668 Medium Oil on panel Dimensions 83 x 58 cm cyf
  Date c. 1668 Medium Oil on panel Dimensions 83 x 58 cm cyf

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     LIEVENS, Jan
     Dutch painter (b. 1607, Leiden, d. 1674, Amsterdam) Dutch painter, draughtsman and printmaker. His work has often suffered by comparison with that of Rembrandt, with whom he was closely associated from 1625 to 1631. Yet Lievens's early work is equal to that of Rembrandt, although in later years he turned more towards a somewhat facile rendering of the international Baroque style favoured by his noble patrons, thus never fully realizing his early promise. Nonetheless, he became a renowned portrait painter and draughtsman, and his drawings

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