All LIPPI, Filippino Oil Paintings

Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.
 
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LIPPI, Filippino St Paul Visits St Peter in Prison dh oil on canvas


St Paul Visits St Peter in Prison dh
St Paul Visits St Peter in Prison dh
Painting ID::  7963 		  1481-82 Fresco, 230 x 88 cm Cappella Brancacci, Santa Maria del Carmine, Florence
  1481-82 Fresco, 230 x 88 cm Cappella Brancacci, Santa Maria del Carmine, Florence

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LIPPI, Filippino Gabriel from the Annunciation oil on canvas


Gabriel from the Annunciation
Gabriel from the Annunciation
Painting ID::  44436 		  1483-84 Wood, diameter 110 cm
  1483-84 Wood, diameter 110 cm

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LIPPI, Filippino St Philip Driving the Dragon from the Temple of Hieropolis oil on canvas


St Philip Driving the Dragon from the Temple of Hieropolis
St Philip Driving the Dragon from the Temple of Hieropolis
Painting ID::  44461 		  1502
  1502

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LIPPI, Filippino Triumph of St Thomas Aquinas over the Heretics oil on canvas


Triumph of St Thomas Aquinas over the Heretics
Triumph of St Thomas Aquinas over the Heretics
Painting ID::  44462 		  1489-91
  1489-91

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LIPPI, Filippino The Annunciation oil on canvas


The Annunciation
The Annunciation
Painting ID::  52720 		  mk223 Oil on canvas
  mk223 Oil on canvas

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     LIPPI, Filippino
     Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.

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