All Lesser Ury Oil Paintings

1861 - 1931 was a German Impressionist painter and printmaker. He was born Leo Lesser Ury in Birnbaum, the son of a baker whose death in 1872 was followed by the Ury family's move to Berlin. In 1878 Lesser left school to apprentice with a tradesman, and the next year he went to D??sseldorf to study painting at the Kunstakademie. Ury spent time in Brussels, Paris, Stuttgart, and other locations, before returning to Berlin in 1887. His first exhibition was in 1889 and met with a hostile reception, although he was championed by Adolph von Menzel whose influence induced the Academie to award Ury a prize. In 1893 he joined the Munich Secession, one of the several Secessions formed by progressive artists in Germany and Austria in the last years of the 19th century. In 1901 he returned to Berlin, where he exhibited with the Berlin Secession, first in 1915 and notably in 1922, when he had a major exhibition. By this time Ury's critical reputation had grown and his paintings and pastels were in demand. His subjects were landscapes, urban landscapes, and interior scenes, treated in an Impressionistic manner that ranged from the subdued tones of figures in a darkened interior to the effects of streetlights at night to the dazzling light of foliage against the summer sky. Ury is especially noted for his paintings of nocturnal cafe scenes and rainy streets. He developed a habit of repeating these compositions in order to sell them while retaining the originals, and these quickly made and inferior copies have harmed his reputation.
 

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Lesser Ury London in the fog oil on canvas


London in the fog
London in the fog
Painting ID::  81148
  London in the fog, 1926. Oil on canvas, 67 x 97 cm Date 1926(1926) cjr
  London in the fog, 1926. Oil on canvas, 67 x 97 cm Date 1926(1926) cjr

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Lesser Ury London in the fog oil on canvas


London in the fog
London in the fog
Painting ID::  85208
  1926. Oil on canvas, 67 x 97 cm cyf
  1926. Oil on canvas, 67 x 97 cm cyf

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Lesser Ury Bahnhof Nollendorfplatz bei Nacht oil on canvas


Bahnhof Nollendorfplatz bei Nacht
Bahnhof Nollendorfplatz bei Nacht
Painting ID::  85895
  Date 1925(1925) Medium Oil on canvas Dimensions 72.5 x 102.5 cm (28.5 x 40.4 in) cjr
  Date 1925(1925) Medium Oil on canvas Dimensions 72.5 x 102.5 cm (28.5 x 40.4 in) cjr

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Lesser Ury Liegender Akt oil on canvas


Liegender Akt
Liegender Akt
Painting ID::  87082
  Medium Oil on canvas cyf
  Medium Oil on canvas cyf

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Lesser Ury Abend am Landwehrkanal oil on canvas


Abend am Landwehrkanal
Abend am Landwehrkanal
Painting ID::  87270
  1889(1889) Medium Oil on canvas Dimensions 76.5 x 105.5 cm (30.1 x 41.5 in) cyf
  1889(1889) Medium Oil on canvas Dimensions 76.5 x 105.5 cm (30.1 x 41.5 in) cyf

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     Lesser Ury
     1861 - 1931 was a German Impressionist painter and printmaker. He was born Leo Lesser Ury in Birnbaum, the son of a baker whose death in 1872 was followed by the Ury family's move to Berlin. In 1878 Lesser left school to apprentice with a tradesman, and the next year he went to D??sseldorf to study painting at the Kunstakademie. Ury spent time in Brussels, Paris, Stuttgart, and other locations, before returning to Berlin in 1887. His first exhibition was in 1889 and met with a hostile reception, although he was championed by Adolph von Menzel whose influence induced the Academie to award Ury a prize. In 1893 he joined the Munich Secession, one of the several Secessions formed by progressive artists in Germany and Austria in the last years of the 19th century. In 1901 he returned to Berlin, where he exhibited with the Berlin Secession, first in 1915 and notably in 1922, when he had a major exhibition. By this time Ury's critical reputation had grown and his paintings and pastels were in demand. His subjects were landscapes, urban landscapes, and interior scenes, treated in an Impressionistic manner that ranged from the subdued tones of figures in a darkened interior to the effects of streetlights at night to the dazzling light of foliage against the summer sky. Ury is especially noted for his paintings of nocturnal cafe scenes and rainy streets. He developed a habit of repeating these compositions in order to sell them while retaining the originals, and these quickly made and inferior copies have harmed his reputation.

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