All MAULBERTSCH, Franz Anton Oil Paintings

Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century
 
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MAULBERTSCH, Franz Anton The Trinity wtu oil on canvas


The Trinity wtu
The Trinity wtu
Painting ID::  8159 		  Oil on canvas, 62,5 x 33 cm Museum of Fine Arts, Budapest
  Oil on canvas, 62,5 x 33 cm Museum of Fine Arts, Budapest

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MAULBERTSCH, Franz Anton The Death of Saint Joseph oil on canvas


The Death of Saint Joseph
The Death of Saint Joseph
Painting ID::  19341 		  1767 Oil on canvas Hungarian National Gallery, Budapest.
  1767 Oil on canvas Hungarian National Gallery, Budapest.

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MAULBERTSCH, Franz Anton Apotheosis of a Hungarian Saint oil on canvas


Apotheosis of a Hungarian Saint
Apotheosis of a Hungarian Saint
Painting ID::  19342 		  1773 Oil on canvas Gemäldegalerie, Berlin.
  1773 Oil on canvas Gemäldegalerie, Berlin.

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MAULBERTSCH, Franz Anton Adoration of the Virgin (mk08) oil on canvas


Adoration of the Virgin (mk08)
Adoration of the Virgin (mk08)
Painting ID::  21948 		  1757 Ceiling fresco Heiligenkreuz-Guttenbrunn,Orgelchor
  1757 Ceiling fresco Heiligenkreuz-Guttenbrunn,Orgelchor

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MAULBERTSCH, Franz Anton The Baptism of the Eunuch oil on canvas


The Baptism of the Eunuch
The Baptism of the Eunuch
Painting ID::  28441 		  mk60 Oil on canvas 20x13 1/2"
  mk60 Oil on canvas 20x13 1/2"

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     MAULBERTSCH, Franz Anton
     Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century

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