All MENGS, Anton Raphael Oil Paintings

German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime
 

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MENGS, Anton Raphael Charles III oil on canvas


Charles III
Charles III
Painting ID::  19376
  1761 Oil on canvas Museo del Prado, Madrid.
  1761 Oil on canvas Museo del Prado, Madrid.

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MENGS, Anton Raphael The Adoration of the Shepherds oil on canvas


The Adoration of the Shepherds
The Adoration of the Shepherds
Painting ID::  19377
  1770 Oil on panel Museo del Prado, Madrid.
  1770 Oil on panel Museo del Prado, Madrid.

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MENGS, Anton Raphael Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  19378
  1779 Oil on panel Gemäldegalerie, Berlin.
  1779 Oil on panel Gemäldegalerie, Berlin.

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MENGS, Anton Raphael Allegory of History (mk08) oil on canvas


Allegory of History (mk08)
Allegory of History (mk08)
Painting ID::  21949
  c.1772/73 Fresco, 420x260cm Rome,Vatican,Biblioteca Vaticana,Sala dei Papiri
  c.1772/73 Fresco, 420x260cm Rome,Vatican,Biblioteca Vaticana,Sala dei Papiri

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MENGS, Anton Raphael Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  29638
  1744 Pastel on paper, 55,5 x 42,5 cm
  1744 Pastel on paper, 55,5 x 42,5 cm

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     MENGS, Anton Raphael
     German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime

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