All MENGS, Anton Raphael Oil Paintings

German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime
 
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MENGS, Anton Raphael Glory of St Eusebius oil on canvas


Glory of St Eusebius
Glory of St Eusebius
Painting ID::  29642 		  1757 Fresco
  1757 Fresco

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MENGS, Anton Raphael Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  30060 		  mk67 pANEL 38 3/16X28 9/16in Uffizi,
  mk67 pANEL 38 3/16X28 9/16in Uffizi,

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MENGS, Anton Raphael Judgement of Paris oil on canvas


Judgement of Paris
Judgement of Paris
Painting ID::  30622 		  mk68 Oil on canvas Saint Petersburg,State Hermitage Museum 1757-1759 Germany
  mk68 Oil on canvas Saint Petersburg,State Hermitage Museum 1757-1759 Germany

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MENGS, Anton Raphael Portrait of Johann Joachim Winckelman oil on canvas


Portrait of Johann Joachim Winckelman
Portrait of Johann Joachim Winckelman
Painting ID::  44069 		  1761-62 Oil on canvas, 64 x 49 cm
  1761-62 Oil on canvas, 64 x 49 cm

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MENGS, Anton Raphael Portrat eines Architekten oil on canvas


Portrat eines Architekten
Portrat eines Architekten
Painting ID::  79066 		  1755 Oil on canvas 72 x 59,5 cm cjr
  1755 Oil on canvas 72 x 59,5 cm cjr

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     MENGS, Anton Raphael
     German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime

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