All Master of Moulins Oil Paintings

French 1480-1500 Master of Moulins Gallery Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.
 

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Master of Moulins The Dauphin Charles Orlant oil on canvas


The Dauphin Charles Orlant
The Dauphin Charles Orlant
Painting ID::  81794
  1494(1494) Medium Oil on wood cyf
  1494(1494) Medium Oil on wood cyf

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Master of Moulins The Annunciation oil on canvas


The Annunciation
The Annunciation
Painting ID::  83260
  Date 1500(1500) Medium Oil on wood cjr
  Date 1500(1500) Medium Oil on wood cjr

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Master of Moulins Portrait of Margaret of Austria oil on canvas


Portrait of Margaret of Austria
Portrait of Margaret of Austria
Painting ID::  84570
  Date between 1490(1490) and 1491(1491) Medium tempera and Oil on wood cjr
  Date between 1490(1490) and 1491(1491) Medium tempera and Oil on wood cjr

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Master of Moulins Portrait of Margaret of Austria oil on canvas


Portrait of Margaret of Austria
Portrait of Margaret of Austria
Painting ID::  88424
  between 1490(1490) and 1491(1491) Medium tempera and Oil on wood cyf
  between 1490(1490) and 1491(1491) Medium tempera and Oil on wood cyf

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Master of Moulins The Virgin and Child before a Firescreen oil on canvas


The Virgin and Child before a Firescreen
The Virgin and Child before a Firescreen
Painting ID::  96979
  1430(1430) Medium oil on panel cyf
  1430(1430) Medium oil on panel cyf

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     Master of Moulins
     French 1480-1500 Master of Moulins Gallery Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.

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