All Moore, Albert Joseph Oil Paintings

English Classicist Painter, 1841-1893 He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.
 

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Moore, Albert Joseph Apricots oil on canvas


Apricots
Apricots
Painting ID::  19495
  1866 Oil on canvas Fulham Public Library, London.
  1866 Oil on canvas Fulham Public Library, London.

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Moore, Albert Joseph Shuttlecock oil on canvas


Shuttlecock
Shuttlecock
Painting ID::  19496
  1868-70 Oil on canvas Private collection.
  1868-70 Oil on canvas Private collection.

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Moore, Albert Joseph Battledore oil on canvas


Battledore
Battledore
Painting ID::  19497
  1868-70 Oil on canvas Private collection.
  1868-70 Oil on canvas Private collection.

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Moore, Albert Joseph A Venus oil on canvas


A Venus
A Venus
Painting ID::  19498
  1869 Oil on canvas York city Art Gallery.
  1869 Oil on canvas York city Art Gallery.

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Moore, Albert Joseph A Garden oil on canvas


A Garden
A Garden
Painting ID::  19499
  1869 Oil on canvas Tate Gallery, London.
  1869 Oil on canvas Tate Gallery, London.

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     Moore, Albert Joseph
     English Classicist Painter, 1841-1893 He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.

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