1547-1619
British
Nicholas Hilliard Galleries
Nicholas Hilliard (c. 1547?CJanuary 7, 1619) was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, up to about ten inches tall, and at least the two famous half-length panel portraits of Elizabeth. He enjoyed continuing success as an artist, and continuing financial troubles, for forty-five years, and his paintings still exemplify the visual image of Elizabethan England, very different from that of most of Europe in the late sixteenth century. Technically he was very conservative by European standards, but his paintings are superbly executed and have a freshness and charm that has ensured his continuing reputation as "the central artistic figure of the Elizabethan age, the only English painter whose work reflects, in its delicate microcosm, the world of Shakespeare's earlier plays.
mk247
c.1588,watercolor on vellum,5.375x1.25 in,13.5x5 cm,victoria and albert museum,london,uk
mk247
c.1588,watercolor on vellum,5.375x1.25 in,13.5x5 cm,victoria and albert museum,london,uk
Height Width
INS/CM Quality
X
Miniature of Elizabeth I
Miniature of Elizabeth I
Painting ID:: 59379
Large miniature of George Clifford, 3rd Earl of Cumberland by Hilliard, c. 1590, after his appointment as the Queen's Champion, in tilting attire (which survives) with the Queen's glove as her favour pinned to his hat. 25.2 x 17.5 cm.
Large miniature of George Clifford, 3rd Earl of Cumberland by Hilliard, c. 1590, after his appointment as the Queen's Champion, in tilting attire (which survives) with the Queen's glove as her favour pinned to his hat. 25.2 x 17.5 cm.
1547-1619
British
Nicholas Hilliard Galleries
Nicholas Hilliard (c. 1547?CJanuary 7, 1619) was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, up to about ten inches tall, and at least the two famous half-length panel portraits of Elizabeth. He enjoyed continuing success as an artist, and continuing financial troubles, for forty-five years, and his paintings still exemplify the visual image of Elizabethan England, very different from that of most of Europe in the late sixteenth century. Technically he was very conservative by European standards, but his paintings are superbly executed and have a freshness and charm that has ensured his continuing reputation as "the central artistic figure of the Elizabethan age, the only English painter whose work reflects, in its delicate microcosm, the world of Shakespeare's earlier plays.