All PARMIGIANINO Oil Paintings

Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
 
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PARMIGIANINO Pallas Athene af oil on canvas


Pallas Athene af
Pallas Athene af
Painting ID::  8455 		  c. 1539 Oil on canvas, 63,8 x 45,1 cm Royal Collection, Windsor
  c. 1539 Oil on canvas, 63,8 x 45,1 cm Royal Collection, Windsor

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PARMIGIANINO Portrait of a Man ag oil on canvas


Portrait of a Man ag
Portrait of a Man ag
Painting ID::  8456 		  1528-30 Oil on canvas Galleria Borghese, Rome
  1528-30 Oil on canvas Galleria Borghese, Rome

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PARMIGIANINO Madonna of t he Long Neck (mk08) oil on canvas


Madonna of t he Long Neck (mk08)
Madonna of t he Long Neck (mk08)
Painting ID::  21341 		  C.1534-1540 Oil on wood, 216x132cm Florence,Galleria degli Uffizi
  C.1534-1540 Oil on wood, 216x132cm Florence,Galleria degli Uffizi

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PARMIGIANINO Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  26734 		  mk52 1523 Oil on wood,diameter 24.4cm Kunsthistorisches Museum,Vienna
  mk52 1523 Oil on wood,diameter 24.4cm Kunsthistorisches Museum,Vienna

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PARMIGIANINO Portrait of the Countess of Sansecodo and Three Children oil on canvas


Portrait of the Countess of Sansecodo and Three Children
Portrait of the Countess of Sansecodo and Three Children
Painting ID::  28117 		  mk61 c.1533-1535 Oil on panel 128x97cm
  mk61 c.1533-1535 Oil on panel 128x97cm

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     PARMIGIANINO
     Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

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