All PARMIGIANINO Oil Paintings

Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
 

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PARMIGIANINO Self-Portrait in a convex mirror oil on canvas


Self-Portrait in a convex mirror
Self-Portrait in a convex mirror
Painting ID::  39612
  mk150 1540
  mk150 1540

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PARMIGIANINO The Conversion of Paul oil on canvas


The Conversion of Paul
The Conversion of Paul
Painting ID::  39613
  mk150 c.1530 Canvas 177.5x128.5cm
  mk150 c.1530 Canvas 177.5x128.5cm

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PARMIGIANINO Self-Portrait in a Convex Mirror oil on canvas


Self-Portrait in a Convex Mirror
Self-Portrait in a Convex Mirror
Painting ID::  40326
  mk156 c.1523-24 Oil on wood
  mk156 c.1523-24 Oil on wood

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PARMIGIANINO Turkish Slave oil on canvas


Turkish Slave
Turkish Slave
Painting ID::  40347
  mk156 1530-31 Oil on wood 67x53cm
  mk156 1530-31 Oil on wood 67x53cm

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PARMIGIANINO Madonna with Long Neck oil on canvas


Madonna with Long Neck
Madonna with Long Neck
Painting ID::  40358
  mk156 c.1535 Oil on wood 216x132cm
  mk156 c.1535 Oil on wood 216x132cm

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     PARMIGIANINO
     Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

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