All PARMIGIANINO Oil Paintings

Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
 

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PARMIGIANINO The Madonna of the long neck oil on canvas


The Madonna of the long neck
The Madonna of the long neck
Painting ID::  41980
  mk1534 I Wave on board of wood 219x135cm Uffizi, Florence
  mk1534 I Wave on board of wood 219x135cm Uffizi, Florence

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  INS/CM       Quality

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PARMIGIANINO Madonna with the long neck oil on canvas


Madonna with the long neck
Madonna with the long neck
Painting ID::  42672
  MK169 ca. 1535 Panel ca.216x132cm Uffizi, Florence
  MK169 ca. 1535 Panel ca.216x132cm Uffizi, Florence

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PARMIGIANINO Portrait of A man oil on canvas


Portrait of A man
Portrait of A man
Painting ID::  43016
  mk170 circa 1523 Oil on wood 89.5x63.8cm
  mk170 circa 1523 Oil on wood 89.5x63.8cm

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PARMIGIANINO The Mystic Marriage of Saint Catherine oil on canvas


The Mystic Marriage of Saint Catherine
The Mystic Marriage of Saint Catherine
Painting ID::  43017
  mk170 1525-1527 Oil on wood 74.2x57.2cm
  mk170 1525-1527 Oil on wood 74.2x57.2cm

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PARMIGIANINO Madonna of the Long Neck oil on canvas


Madonna of the Long Neck
Madonna of the Long Neck
Painting ID::  44893
  mk176 1534-40 panel 85x52
  mk176 1534-40 panel 85x52

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     PARMIGIANINO
     Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

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