All PERUGINO, Pietro Oil Paintings

Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,
 

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PERUGINO, Pietro St Sebastian sg oil on canvas


St Sebastian sg
St Sebastian sg
Painting ID::  8522
  Wood, 170 x 117 cm Mus??e du Louvre, Paris
  Wood, 170 x 117 cm Mus??e du Louvre, Paris

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PERUGINO, Pietro Bust of St. Sebastian sg oil on canvas


Bust of St. Sebastian sg
Bust of St. Sebastian sg
Painting ID::  8523
  1493-94 Tempera and oil on wood, 53,5 x 39,5 cm The Hermitage, St. Petersburg
  1493-94 Tempera and oil on wood, 53,5 x 39,5 cm The Hermitage, St. Petersburg

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PERUGINO, Pietro The Vision of St. Bernard af oil on canvas


The Vision of St. Bernard af
The Vision of St. Bernard af
Painting ID::  8524
  1493 Oil on wood, 173 x 170 cm Alte Pinakothek, Munich
  1493 Oil on wood, 173 x 170 cm Alte Pinakothek, Munich

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PERUGINO, Pietro Baptism of Christ (detail) a oil on canvas


Baptism of Christ (detail) a
Baptism of Christ (detail) a
Painting ID::  8525
  c. 1482 Fresco Cappella Sistina, Vatican
  c. 1482 Fresco Cappella Sistina, Vatican

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PERUGINO, Pietro Baptism of Christ (detail) af oil on canvas


Baptism of Christ (detail) af
Baptism of Christ (detail) af
Painting ID::  8526
  c. 1482 Fresco Cappella Sistina, Vatican
  c. 1482 Fresco Cappella Sistina, Vatican

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     PERUGINO, Pietro
     Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,

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