All PERUGINO, Pietro Oil Paintings

Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,
 

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PERUGINO, Pietro Madonna Enthroned with Child and Two Saints oil on canvas


Madonna Enthroned with Child and Two Saints
Madonna Enthroned with Child and Two Saints
Painting ID::  19835
  1480 Panel Mus??e du Louvre, Paris.
  1480 Panel Mus??e du Louvre, Paris.

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PERUGINO, Pietro Christ Giving the Keys to St. Peter oil on canvas


Christ Giving the Keys to St. Peter
Christ Giving the Keys to St. Peter
Painting ID::  19836
  1480-81 Fresco Sistine Chapel, Vatican, Rome.
  1480-81 Fresco Sistine Chapel, Vatican, Rome.

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PERUGINO, Pietro St. Jerome in the Wilderness oil on canvas


St. Jerome in the Wilderness
St. Jerome in the Wilderness
Painting ID::  19837
  Approx. 1481-82 panel National Gallery of Art, Washington D.C.
  Approx. 1481-82 panel National Gallery of Art, Washington D.C.

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PERUGINO, Pietro The Crucifixion with the Virgin and Saints oil on canvas


The Crucifixion with the Virgin and Saints
The Crucifixion with the Virgin and Saints
Painting ID::  19838
  National Gallery of Art, Washington D.C.
  National Gallery of Art, Washington D.C.

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PERUGINO, Pietro The Deposition from the Cross oil on canvas


The Deposition from the Cross
The Deposition from the Cross
Painting ID::  19839
  Tempera on panel Gallerie dell'Accademia, Florence.
  Tempera on panel Gallerie dell'Accademia, Florence.

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     PERUGINO, Pietro
     Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,

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