All Paxton, William McGregor Oil Paintings

American Painter, 1869-1941 was an American Impressionist painter. Born in Baltimore, the Paxton family came to Newton Corner in the mid-1870s, where William's father James established himself as a caterer. At 18, William won a scholarship to attend the Cowles Art School, where he began his art studies with Dennis Miller Bunker. Later he studied with Jean-L??on G??rôme in Paris and, on his return to Boston, with Joseph DeCamp at Cowles. There he met his future wife Elizabeth Okie, who also was studying with DeCamp. After their marriage, William and Elizabeth lived with his parents at 43 Elmwood Street, and later bought a house at 19 Montvale Road in Newton Centre. Paxton, who is best known as a portrait painter, taught at the Museum School from 1906 to 1913. Along with other well known artists of the era, including Edmund Charles Tarbell and Frank Benson, he is identified with the Boston School. Like many of his Boston colleagues, Paxton found inspiration in the work of the seventeenth-century Dutch painter Johannes Vermeer. Paxton was fascinated not only with Vermeer's imagery, but also with the system of optics he employed. He studied Vermeer's works closely, and discovered that only one area in his compositions was entirely in focus, while the rest were somewhat blurred. Paxton ascribed this peculiarity to "binocular vision," crediting Vermeer with recording the slightly different point of view of each individual eye that combine in human sight. He began to employ this system in his own work, including The New Necklace, where only the gold beads are sharply defined while the rest of the objects in the composition have softer, blurrier edges.
 

       Prev  1  2   Next
  Prev Artist       Next Artist     

   
    

Paxton, William McGregor The Croquet Players oil on canvas


The Croquet Players
The Croquet Players
Painting ID::  19790
  1898 Oil on canvas Private collection, Boston.
  1898 Oil on canvas Private collection, Boston.

Height    Width


  INS/CM       Quality

X

  

Paxton, William McGregor The Front Parlor oil on canvas


The Front Parlor
The Front Parlor
Painting ID::  19791
  1904 Oil on canvas.
  1904 Oil on canvas.

Height    Width


  INS/CM       Quality

X

  

Paxton, William McGregor Portrait of Enid Hallin oil on canvas


Portrait of Enid Hallin
Portrait of Enid Hallin
Painting ID::  19792
  Oil on board.
  Oil on board.

Height    Width


  INS/CM       Quality

X

  

Paxton, William McGregor The Album oil on canvas


The Album
The Album
Painting ID::  19793
  1913 Private collection.
  1913 Private collection.

Height    Width


  INS/CM       Quality

X

  

Paxton, William McGregor The Other Room oil on canvas


The Other Room
The Other Room
Painting ID::  19794
  1916 Oil on canvas El Paso Museum of Art.
  1916 Oil on canvas El Paso Museum of Art.

Height    Width


  INS/CM       Quality

X

  

       Prev  1  2   Next
Prev Artist       Next Artist     

     Paxton, William McGregor
     American Painter, 1869-1941 was an American Impressionist painter. Born in Baltimore, the Paxton family came to Newton Corner in the mid-1870s, where William's father James established himself as a caterer. At 18, William won a scholarship to attend the Cowles Art School, where he began his art studies with Dennis Miller Bunker. Later he studied with Jean-L??on G??rôme in Paris and, on his return to Boston, with Joseph DeCamp at Cowles. There he met his future wife Elizabeth Okie, who also was studying with DeCamp. After their marriage, William and Elizabeth lived with his parents at 43 Elmwood Street, and later bought a house at 19 Montvale Road in Newton Centre. Paxton, who is best known as a portrait painter, taught at the Museum School from 1906 to 1913. Along with other well known artists of the era, including Edmund Charles Tarbell and Frank Benson, he is identified with the Boston School. Like many of his Boston colleagues, Paxton found inspiration in the work of the seventeenth-century Dutch painter Johannes Vermeer. Paxton was fascinated not only with Vermeer's imagery, but also with the system of optics he employed. He studied Vermeer's works closely, and discovered that only one area in his compositions was entirely in focus, while the rest were somewhat blurred. Paxton ascribed this peculiarity to "binocular vision," crediting Vermeer with recording the slightly different point of view of each individual eye that combine in human sight. He began to employ this system in his own work, including The New Necklace, where only the gold beads are sharply defined while the rest of the objects in the composition have softer, blurrier edges.

ARTISTABCDEFGHIJKLMNOPQRSTUVWXYZ
A
rt Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings