All Peale, James Oil Paintings

American, 1749-1831 Painter, brother of Charles Willson Peale. Charles encouraged him to become a painter; James also worked as a frame-maker for his brother until the Revolution, in which he served as a lieutenant. From 1779 James shared Charles's practice, specializing in miniatures. His early work, occasionally confused with Charles's, shows his brother's influence. After 1794, his style became clearly his own: more delicate with subtle colour harmonies, softened outlines and free handling; it may be distinguished by a faint violet tone in the shadows and the inconspicuous signature 'IP'. His miniatures of male subjects are frequently superior to his portraits of women, for example Benjamin Harwood (1799; Baltimore, Mus. & Lib. MD Hist.), but his meticulous attention to costume and his success in imparting colour and sparkle to skin and eyes,
 

       Prev  1   Next
  Prev Artist       Next Artist     

   
    

Peale, James Still Life with Watermelon oil on canvas


Still Life with Watermelon
Still Life with Watermelon
Painting ID::  19803
  1829 Oil on canvas Private collection.
  1829 Oil on canvas Private collection.

Height    Width


  INS/CM       Quality

X

  

Peale, James Still Life with Fruit on a Tabletop oil on canvas


Still Life with Fruit on a Tabletop
Still Life with Fruit on a Tabletop
Painting ID::  19804
  Oil on panel
  Oil on panel

Height    Width


  INS/CM       Quality

X

  

       Prev  1   Next
Prev Artist       Next Artist     

     Peale, James
     American, 1749-1831 Painter, brother of Charles Willson Peale. Charles encouraged him to become a painter; James also worked as a frame-maker for his brother until the Revolution, in which he served as a lieutenant. From 1779 James shared Charles's practice, specializing in miniatures. His early work, occasionally confused with Charles's, shows his brother's influence. After 1794, his style became clearly his own: more delicate with subtle colour harmonies, softened outlines and free handling; it may be distinguished by a faint violet tone in the shadows and the inconspicuous signature 'IP'. His miniatures of male subjects are frequently superior to his portraits of women, for example Benjamin Harwood (1799; Baltimore, Mus. & Lib. MD Hist.), but his meticulous attention to costume and his success in imparting colour and sparkle to skin and eyes,

ARTISTABCDEFGHIJKLMNOPQRSTUVWXYZ
A
rt Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings