All Peter Paul Rubens Oil Paintings

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
 

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Peter Paul Rubens The Amazonenschlacht oil on canvas


The Amazonenschlacht
The Amazonenschlacht
Painting ID::  45886
  mk178 around 1617 oils on wood 121x165cm
  mk178 around 1617 oils on wood 121x165cm

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Peter Paul Rubens Hunt on hippopotamus and crocodile oil on canvas


Hunt on hippopotamus and crocodile
Hunt on hippopotamus and crocodile
Painting ID::  45921
  nj178 1615/16 oil on linen 248x321cm
  nj178 1615/16 oil on linen 248x321cm

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Peter Paul Rubens Tiger-and Lowenjagd oil on canvas


Tiger-and Lowenjagd
Tiger-and Lowenjagd
Painting ID::  45935
  mk178 around 1616 oils on linen 256x324cm
  mk178 around 1616 oils on linen 256x324cm

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Peter Paul Rubens Portrait of Schubert, Franz oil on canvas


Portrait of Schubert, Franz
Portrait of Schubert, Franz
Painting ID::  48659
  mk191 about 1620-1625 oil on canvas 79x55cm
  mk191 about 1620-1625 oil on canvas 79x55cm

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Peter Paul Rubens Detail of portrait of  Schubert, Franz oil on canvas


Detail of portrait of Schubert, Franz
Detail of portrait of Schubert, Franz
Painting ID::  48660
  mk191 Oil on canvas
  mk191 Oil on canvas

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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