All Peter Paul Rubens Oil Paintings

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
 

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Peter Paul Rubens Rovet of Leucippus daughter oil on canvas


Rovet of Leucippus daughter
Rovet of Leucippus daughter
Painting ID::  49514
  mk198 1615-16 Alto Pinakothek,Munchen
  mk198 1615-16 Alto Pinakothek,Munchen

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Peter Paul Rubens Saturn Devouring his son oil on canvas


Saturn Devouring his son
Saturn Devouring his son
Painting ID::  50790
  mk214 1636 Oil on canvas 180x87cm
  mk214 1636 Oil on canvas 180x87cm

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Peter Paul Rubens Kings College Chapel oil on canvas


Kings College Chapel
Kings College Chapel
Painting ID::  50853
  mk216 The Adoration of the King
  mk216 The Adoration of the King

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Peter Paul Rubens Rainbow Landscape oil on canvas


Rainbow Landscape
Rainbow Landscape
Painting ID::  50893
  mk216 In the landscapes Rubens painted at Steen
  mk216 In the landscapes Rubens painted at Steen

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Peter Paul Rubens Christ at the House of Martha and mary oil on canvas


Christ at the House of Martha and mary
Christ at the House of Martha and mary
Painting ID::  50907
  mk216 The baroque style of the early 17th century introducced flamboyance and worldliness into painting.
  mk216 The baroque style of the early 17th century introducced flamboyance and worldliness into painting.

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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