All Peter Paul Rubens Oil Paintings

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
 

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Peter Paul Rubens Girl with fan oil on canvas


Girl with fan
Girl with fan
Painting ID::  77810
  96 x 73 cm um 1612/1614 cjr
  96 x 73 cm um 1612/1614 cjr

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Peter Paul Rubens Portrat des Phillip oil on canvas


Portrat des Phillip
Portrat des Phillip
Painting ID::  78704
  Medium Oil on canvas Dimensions 115 x 86 cm (45.3 x 33.9 in) cyf
  Medium Oil on canvas Dimensions 115 x 86 cm (45.3 x 33.9 in) cyf

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Peter Paul Rubens Madonna on Floral Wreath oil on canvas


Madonna on Floral Wreath
Madonna on Floral Wreath
Painting ID::  78815
  c. 1619 Oil on panel 185 x 210 cm cjr
  c. 1619 Oil on panel 185 x 210 cm cjr

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Peter Paul Rubens Therese von Avila oil on canvas


Therese von Avila
Therese von Avila
Painting ID::  78836
  Deutsch: um 1615 Medium Oil on panel Deutsch: Öl auf Eichenholz Dimensions Deutsch: 67 x 69 cm cyf
  Deutsch: um 1615 Medium Oil on panel Deutsch: Öl auf Eichenholz Dimensions Deutsch: 67 x 69 cm cyf

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Peter Paul Rubens Portrat des Phillip IV oil on canvas


Portrat des Phillip IV
Portrat des Phillip IV
Painting ID::  79357
  Oil on canvas Dimensions 115 x 86 cm (45.3 x 33.9 in) cyf
  Oil on canvas Dimensions 115 x 86 cm (45.3 x 33.9 in) cyf

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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